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Gregor Bonse

Gregor Bonse

Re-Recording Mixer & Sound Supervisor based in Los Angeles

I believe every story has a sonic essence, a core that lives underneath its plot. Mixing to me means finding this core and then collaborating with filmmakers in building a staircase, so one can walk into it.

Award-Winning Sound

re-recording mixer

dialog | fx | music

British BIFA Nomination

Best Sound

re-recording mixer

dialog | fx | music

Danish ROBERT Award

Best Sound

re-recording mixer

dialog | fx | music

German LOLA Nomination

Best Sound

re-recording mixer

dialog | fx | music

Finnish JUSSI Nomination

Best Sound

re-recording mixer

dialog | fx | music

German LOLA Award

Best Sound

re-recording mixer

dialog | fx | music

German LOLA Award

Best Sound

re-recording mixer

dialog | fx | music

German LOLA Nomination

Best Sound

re-recording mixer

dialog | fx | music

German DAFFNE Nomination

Best Sound

re-recording mixer

dialog | fx | music

German DAFFNE Award

Best Sound

Released in US Theaters

re-recording mixer

fx – temp mix

re-recording mixer

dialog | music

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

British BIFA Nomination

Best Sound

re-recording mixer

dialog | fx | music

Danish ROBERT Award

Best Sound

re-recording mixer

dialog | fx | music

Finnish JUSSI Nomination

Best Sound

Currently Streaming

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

re-recording mixer

dialog | fx | music

Sound Design & Supervision

supervising sound editor

sound designer

re-recording mixer

dialog | fx | music

supervising sound editor

sound designer

re-recording mixer

dialog | fx | music

supervising sound editor

sound designer

re-recording mixer

dialog | fx | music

supervising sound editor

re-recording mixer

dialog | fx | music

supervising sound editor

sound designer

re-recording mixer

dialog | fx | music

Critical Acclaim

"A Masterclass in How to Use Sound"

Dolby Institute

"The sound design is awe-inspiring. Turn the volume up!"

The Lantern

“Aural Storytelling at Its Finest”

First Showing

“Remarkable Sound Design”

The Guardian

“Perhaps the strongest muscle of the film is the score and the sound design, which are powerfully layered and emotional”

Loud and Clear Reviews

“Sound is working to get us to feel the emotions that are churning like a tide inside Rona”

IndieWire

“A Sonic Experience - We can lose ourselves in it.”

Vulture

BIFA Nomination

Best Sound

The Outrun

“You viscerally experience the multitude of sounds and noise on the train, but also the awkward silences that fall between between Laura and Ljoha”

Evening Standard

“The sound design captures the cramped atmosphere and oppressive noises with considerable finesse”

One Guy Movie Reviews

“What makes ‘Compartment No. 6’ engrossing and effective is Kuosmanen's play with tone.  Claustrophobic spaces and jerky motions help create its threatening intimacy”

The New York Times

“Its cacophony of discordant sounds hums through to a tune so sudden, tender, and beautiful that it’ll split your head open with well deserved joy”

Pajiba

“It’s not a film - the fucking train is actually moving!”

Spike Lee

GRAN PRIX

Cannes Film Festival

Compartment No. 6

“City sounds and the bass in cars passing generate a natural uneasiness. The streets never feel safe when viewed through a woman’s eyes”

Cheat Sheet

“Sound design that cracks and snaps and places you right in the middle of these heinous crimes”

Loud and Clear Reviews

“Eerie score combined with unsettling use of sound transforms this procedural into a visceral experience about the suffocating power of zealotry”

Joysauce

„When Saeed pounces upon his victims, sound design doesn’t spare any effect as the air is choked out of them”

The Hollywood Reporter

“The sound design becomes part of the film's substance”

NYC Movie Guru

COMPETITION

Cannes Film Festival

Holy Spider